#Sketchaday9: Pioneering pushers and still grappling with mountains

Jimmy Samson's stroller 25.07.16

We visited the Revelstoke Museum today. We walked into town, pushing baby Leo in his state of the art three wheel stroller, but even with its cushioned wheels, every bump gave him a substantial jolt. However, when I saw this stroller, I decided babies are probably better off these days, even if modern strollers don’t have the intricate structure of a wickerwork and iron model.  Jimmy Samson was born in 1904 and it looks as if he could have sat in this well into his teenage years, it is so huge. In fact when he grew older he wanted to turn it into a go-kart, but this mother refused to let him, thank goodness.

My first reaction when I saw this was ‘I have to draw this but how? I can’t get any distance away from it because of the glass case behind me and my sketchbook’s too small!’ (You can see the scale compared to my fingers).  But I decided to accept the challenge and see what I could achieve. It took me an hour and a half: I now know everything about how that stroller works, and if I had the skills I could reproduce it. That’s the beauty of drawing: it makes you look. A fellow visitor stopped next to me and said ‘If I hadn’t seen you drawing that I might not have noticed how intricate it is’. You can see how every swirl of wickerwork has been carefully designed so that it is both functional and beautiful, and even the pusher’s wooden handle has been grooved and tapered with loving care. There’s a simple leather strap to hold the baby in. and a practical little basket under where his feet would hang. A stroller fit for a prince.

Mt Revelstoke from Mt Boulder 25.07.16

And I had a go at working up a watercolour from yesterday’s aerial view of Revelstoke, using a photo to help with colour and details. I’m not too happy with it, but as Jo Willem advised, ‘don’t be afraid to show your failures’. She added ‘It’s really very hard to fail.’ I wholeheartedly agree, because if you fail it makes you more determined. If you pretend you never fail, you’ll never set your goals high enough. This is a competent sketch, but it doesn’t completely express what I saw from the top of Mt Boulder. I’ll just have to go up there again!

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#Sketchaday8: Let sleeping babies lie

Leo 24.07.2016

This drawing was made at the end of the day, after we tried taking Leo for a picnic at Blanket Creek. We hoped he’d enjoy the fresh air and sunshine, but he grizzled most of the time and his parents had to take him home without getting a chance to visit the nearby waterfall.

Blanket Creek 24.07.16

This sketch of Blanket Creek started out as black and white but I added colour with water soluble pencils. (The sky was blue, but I didn’t bother to show that). I also used a brush with a reservoir of grey wash to blur the pencil tone on the mountain. Mt McKenzie on the left, Mt Cartier on the right. The pool was created when they diverted the Columbia river, and it’s just right for a children’s paddling pool, apart from the mosquitoes.

After Leo went home we saw the waterfall and then went up to the top of the mountain with my son’s friends, who were trying out some bike trails. At the top of the first mountain we spotted a weasel – too fast even to photograph properly. The second mountain gave us a wonderful aerial view of Revelstoke. I made a 5 minute sketch, not wanting to hold up the party, as the tracks are long and arduous going even for a giant truck like the one we were in.

Revelstoke from Mt Boulder 24.07.16

Revelstoke viewed from Mt Boulder

I often make sketches like this and look back at them years later, trying to recapture what I saw at the time. It’s best to make a more detailed sketch from the lightning one as soon as possible after you saw the real thing, using a photo only to give you basic information such as colour and important details like the structure of the bridge. If I work just from a photo I lose the spontaneity that is so obvious in this sketch, where I jotted down the main lines of direction and the salient features that I wanted to include. I will have a go at doing a watercolour from this sketch. I wonder if I can pull it off.

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#Sketchaday7: exploring Revelstoke and discovering a kindred soul

16 Front St lighter

Today we walked the length and breadth of Revelstoke, exploring every street for visual potential. It was Art and Gardens day, but we weren’t able to follow the whole trail as we couldn’t find anywhere to buy tickets. As it was it took us the whole afternoon to visit the Museum’s garden and the Art Gallery, stopping to photograph the brilliant coloured flowers that flourish in all the gardens, as well as another squirrel who seemed to be deliberately posing for us. This sketch was made at the end of the day, only a few metres away from yesterday’s sketch of the river and the white lady. This house is apparently not the oldest house in Revelstoke but I think it has possibly the most character. I used Prismacolour water based pencils for the first time combined with my fine waterproof pen, and graphite pencil for the overcast sky. Mt Revelstoke looms in the background.

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Jo Willems with one of her pieces, ‘Cousins Across the Way Relationships are Relative’

I had an inspiring conversation with Jo Willems, the artist in residence at the Museum garden. Her work is strangely arresting; it never has people in it, yet there is a feeling of a presence in each image. The titles make you look more deeply into the picture. As I started talking to her I began to understand more of what her work is about: she spoke fervently of the importance of integrity, and this extract from her own blog eloquently develops this theme.

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Jo Willems, ‘Beginning and smaller’

Jo went on to say that she had developed an art course in Revelstoke called The Fierce Art Project. She strove to teach the fundamentals that motivated her own approach to painting and drawing, hoping to instil confidence in her students by encouraging constant practice with the most basic ‘ways of seeing’. Her method was displayed at the Art Gallery, together with some of her students’ work. I realised that she was using the same empirical, intuitive way of teaching that I learned from Betty Edwards and continue to apply, deriving as much insight from listening to my students as from practising the skills myself. Here are some pictures of Jo’s installation at the Gallery.

Jo only paints in watercolour and gouache as she is allergic to oils and acrylics. The colours are intense and the detail is mesmerising.

This is a pencil drawing by one of her students:

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Jo is only five feet tall but she is an avid biker and skier, and over the years has walked many arduous trails, which are themselves an integral part of her artwork. Instead of taking photos on these trips she has used an iPad as a sketchbook. This article tells you more about Jo’s unique vision. Go and visit Jo’s website for further inspiration and information.

Jo’s parting words to me were’keep drawing!’ I fully intend to.

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#Sketchaday6: Change of weather

squirrel 22.07.16

After two days of brilliant sunshine and temperatures reaching 29 degrees C, today was overcast and windy. At around 7.30am each morning, as the sun comes over the mountain, we see this little squirrel in the garden. This morning it came and paid us a visit on the patio. The sketch was from memory – it moves at the speed of light and seems to hop along with all four feet off the ground at once.

I spent most of the day helping around the house with the new baby, but in the afternoon I took time out to repaint yesterday’s mountain, from memory. I realised that part of my problem yesterday was that a mountain in bright sunshine is much harder to paint than one in dull weather. I had to grossly simplify the shapes and I still don’t think this is simple enough. It took me about 40 minutes, with breaks.

New mountain painting, 22.07.16

I finally went for a walk at 5pm and within 200 metres from the house I stopped dead in my tracks and had to draw this. It’s viewed from the lawn of somebody’s house and the lady is just a statue. As I stood there the light kept changing but I decided on one lighting effect that captured the drama of the scene most of all. This sketch took me less than half an hour with a 2B pencil. During that time an eagle and a heron flew overhead. As I was finishing, large drops of rain started to fall, and the mountains kept losing and finding their faces.  I continued my walk, snapping views with my iPhone but determined not to draw from the photos while I have the real thing in front of me. I will try and work this sketch up into a watercolour.

View of the Columbia river and mountain pass 22.07.16

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#Sketchaday5:getting to grips with mountains

Next door neighbours, Revelstoke 21.07.16

Although many of Revelstoke’s houses are extremely picturesque, others have a comfortable slightly down at heel aspect, declaring to the world that they don’t care about looking glamorous when they are surrounded by such dramatic backdrops. Our next door neighbour’s garden shows a passion for flowers and barbecues – what more could you desire?

This was a tiny sketch executed from my bedroom window at 5.30am, just as the sun was tinting the mountain (not Mt Revelstoke this time). I used my finest waterproof drawing pen, then sloshed watercolour over it. Took about 45 minutes.

First mountain, 21.07.16

After breakfast we went for a walk along the river, which is literally one street away from the house. The Columbia river is fast flowing, a pale turquoise blue and about twice as wide as the Murray. The mountains stride along the opposite bank, challenging you to paint them. So I gave it my best, but after 45 minutes I felt I knew less about this mountain than when I started. If you photograph it, you capture one moment: if you try to paint it, you are literally trying to catch shadows. I will have to adopt the ancient Chinese method: sit in the landscape for an hour, then go away and paint it from memory.  You can see what happened in my next post: #Sketchaday6

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#Sketchaday4:Revelstoke, BC, Canada

Back of Ian and V's house 20.07.16

I finally arrived at my destination 24 hours later than planned, after 5 flights,2 taxi rides and an unscheduled overnight stay in Sydney, which all started with fog on the runway at Sydney airport… but let’s forget about that, and start exploring Revelstoke!

My first sketch is a view from the back of my son’s place. In this town it’s very difficult not to have a mountain view from one of your windows, and we can see at least three mountains from Ian’s house. This is Revelstoke mountain, and the foreground is a workshop on the right, with someone’s overgrown back yard on the left. I quite like the way you often see industrial stuff in Revelstoke with these picturesque mountain backdrops – although it’s now a fast growing ski resort, it’s always been a working town with a railway line running through the middle of it. You can’t actually get off the train at Revelstoke if you’re doing the trans Canada rail journey: most of the trains that pass through are enormously long goods trains, similar to the ones we see in Australia.

I used watercolour and a bit of pencil on lightweight watercolour paper for this – it took about an hour and a half.

 

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Sketchaday, Adelaide to Revelstoke 2016

I recently discovered the web page Urban Sketchers  its corresponding Facebook page. I was delighted to see that a practice I have neglected in recent years because of the ease and convenience of i…

Source: Sketchaday, Adelaide to Revelstoke 2016

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Sketchaday, Adelaide to Revelstoke 2016

I recently discovered the web page  its corresponding Facebook page:  was delighted to see that a practice I have neglected in recent years because of the ease and convenience of iPhones is now not…

Source: Sketchaday, Adelaide to Revelstoke 2016

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Drawing for the Terrified – and Not so Terrified

Download the latest schedule here:Schedule for Drawing Classes, August to December 2016 Julia Wakefield In 1992, I was asked to devise a drawing course for beginners at a further education college …

Source: Drawing for the Terrified – and Not so Terrified

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Drawing for the Terrified – and Not so Terrified

Download the latest schedule here: Schedule for Drawing Classes, August to December 2016 Julia Wakefield

Source: Drawing for the Terrified – and Not so Terrified

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